A Fucking Didactic Educational AUDIO File! We basically spin a weird collage about surveillance and privacy (a lost cause). A lot of time traveling this episode. We go back in time 5-7 years when folks were rushing Youtube with How To videos like it was the dang gold rush. We receive a prescient transmission from Jack Smith about the commodification of counterculture and the hyper capitalization art fairs were about to cause. We also heed lessons from David Wojnarowicz. Thank you queer history. Folks on the margins are often destroyed by the state, listen to them, and give them space.
The department of defense, the CIA, and the FBI have all had a hand in influencing art, culture, and academia. We discuss the Iowa Writer’s Workshop, Marvel movies, Rockefeller, modernism, futurist fascism, and Mexican muralism. Are you bummed about MFAs and institutional partnerships with banks? Us too buddy. If you like us please consider donating for bonus writing, memes, and art:https://d.rip/art-and-labor
We saw Sorry to Bother You and it was THE BEST MOVIE and THE ONLY MOVIE! We celebrate Chairman Boots Riley’s new masterpiece. We try to process the race and gender roles depicted in the film, but we’re way more excited to do a working class analysis. We’re now offering bonus materials on our Drip page! Feel free to skip the first 15 minutes of this ep that is just an ad for it. If you like us please consider donating for bonus writing, memes, and art:https://d.rip/art-and-labor
We had a tweet go viral! Artnet published a pseudoscience garbage article claiming that artists’ brain chemistry causes them to not what to be paid for their work, we told them to fuck off with that noise. This episode breakdown the discourse, and get into plenty of tangents along the way!! This episode was recorded on the streets of Chelsea and Bushwick. Later doodle-bitches!
Welcome new listeners! Art and Labor focuses on the on-going struggle to survive as an art or cultural worker. We chronicle the stories of social justice organizing within the arts, and believe in centering the human cost of the “art world” and advocate for fair labor practices for artists, assistants, fabricators, docents, interns, registrars, janitors, writers, editors, curators, guards, performers, and anyone doing work for art & cultural institutions.
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