A message to the people of Bushwig: BREAK THE CHAIN, ANNEX MASPETH. What is this episode? If I recall correctly we discuss how capitalists attempt to resolve what communist art theorist Adam Buttrick calls “the Bad Vibes Contradiction” through crypto, AI, Canva, and other data vultures in the culture industries. Chelsea Manning DJs Nightcore, not Hyperpop, one is the people’s algorithm, the other belongs to the music business. What’s our role in automation, in our own displacement? The prison will not absorb us, we are building up to a break.
This is (almost) the dawning of the age of Aquarius, how red will that dawn be? OK’s been a little fixated on China, would a new global superpower be beneficial to international communist movements? We try to focus back in the art and labor realm with the 3rd part of the Nika Dubrovsky and David Graeber’s piece for e-flux. How can we build enough power to meaningfully transform the art world as we know it?? If you like the podcast and want more, please consider supporting us: https://www.patreon.com/artandlabor. Follow us on twitter and instagram. You can contact Art & Labor at firstname.lastname@example.org. Please reach out to join the discord for Lucia’s school “Constructing the Real” Please write us a review on Apple podcasts or whatever other platforms!!
We’re joined by podcast legend Leslie Lee III (@leslieleeiii) to discuss the 1976 classic film Marathon Man. Dustin Hoffman plays a young graduate student roped into a high-stakes plot involving US intelligence agents, sadistic Nazis, and millions of dollars in gems. We explore the story’s underlying pro-communist elements and artistic motifs. It’s Struggle Session x Art and Labor!! Get some!! If you like the podcast and want more, please consider supporting us: https://www.patreon.com/artandlabor. Follow us on twitter and instagram. You can contact Art & Labor at email@example.com
Hey folks! Ding dong Kanders is dead (if only), we catch up on the news we missed, and finally dig into Red Bloom Collective’s Art Workers’ Inquiry. It’s a super robust survey, we encourage everyone to take it themselves here. We didn’t end up having time to complete the second part of the inquiry, but we hope to finish it up soon (perhaps with some of the folks who created it). In the meantime check out our bonus episode where we do a quiz to see if we’re related to aliens. If you like the podcast and want more, please consider supporting us: https://www.patreon.com/artandlabor (if you support us on drip, please switch over). Follow us on twitter and instagram. You can contact Art & Labor at firstname.lastname@example.org
READING - Manifesto: Towards a Free Revolutionary Art
We’ve decided to start reading art manifestos in full and providing light commentary. First up, of course, is 1938’s Towards a Free Revolutionary Art ghostwritten by Leon Trotsky, signed by Diego Rivera and André Breton. Trotsky was one of the leaders of the Russian revolution, he was famously forced to flee to Mexico. Thanks to funding from the American communist party, he was able to stay near Rivera and Frida Kahlo, but was eventually assassinated there. The manifesto denounces both fascism and Stalinism, and is a seminal text to the history of Muralism and Surrealism/Dada.
We yelled at the mayor! This episode is a response to a recent Chapo Trap House interview about music, identity politics, and activism (listen here: https://soundcloud.com/chapo-trap-house/unlocked-amber-interviews-aaron-j-leonard). We want to challenge the podcast left to do better coalition building, and to think more critically about art’s potential in revolution. We encourage folks to consider Rivera’s Manifesto: Towards a Free Revolutionary Art, and will be posting another episode where we read the whole thing.
The department of defense, the CIA, and the FBI have all had a hand in influencing art, culture, and academia. We discuss the Iowa Writer’s Workshop, Marvel movies, Rockefeller, modernism, futurist fascism, and Mexican muralism. Are you bummed about MFAs and institutional partnerships with banks? Us too buddy. If you like us please consider donating for bonus writing, memes, and art:https://d.rip/art-and-labor
We saw Sorry to Bother You and it was THE BEST MOVIE and THE ONLY MOVIE! We celebrate Chairman Boots Riley’s new masterpiece. We try to process the race and gender roles depicted in the film, but we’re way more excited to do a working class analysis. We’re now offering bonus materials on our Drip page! Feel free to skip the first 15 minutes of this ep that is just an ad for it. If you like us please consider donating for bonus writing, memes, and art:https://d.rip/art-and-labor