WATCH IT HERE: https://www.youtube.com/watch?v=iYO_uyLqPu4&t=3137s
Are AMVs proletarian or free fandom labor for multinational media companies? Where do Anime Music Videos sit in Hito Steyerl’s “an alternative economy of images” and can someone be the Dziga Vertov of AMVs? Are AMVs subjected to a particular nation state?
This is the second session of Constructing the Real’s Art Worlds Class, join us here: https://www.constructingthereal.com/
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